NEW YORK (AP) -- "Next Fall" is a story of collisions — of ideology and nonbeliefs, and of a cab collision that leaves one of the characters in a deep sleep and an additional doubt his conviction or miss of it.
The fool around has influenced substantial seductiveness on Broadway and not usually since of the auspicious reviews. It"s a new American fool around with no stars. And it is combined by a soft-spoken, 49-year-old playwright whose marquee worth is outshone by dual of the majority producers, Elton John and his partner David Furnish. In the star-struck locus that Broadway has turn for plays, how "Next Fall" fares over the entrance weeks will be closely watched.
Not that bard Geoffrey Nauffts doesn"t have theater, movie and radio experience. As an actor, he"s worked at length in New York and Los Angeles. And he"s right away inventive executive of Naked Angels, a small, celebrity-flecked New York drama association specializing in the growth of new work and where "Next Fall" was midwived.
The play, that non-stop in Mar after a successful off-Broadway run last summer, is a personal, touching story, yet, surprisingly, filled with humor.
Much of the fool around takes place in a sanatorium watchful room where five people gather, together with the partner of the immature happy man severely harmed by that taxi. While they worry, "Next Fall" flashes behind to discuss it the story of the attribute in in between the dual men — one with fundamentalist views, the alternative not — and their troublesome discussions about religion.
"I have regularly been meddlesome in faith," Nauffts pronounced in an interview. "I didn"t grow up with any kind of sold faith. Yet I have regularly sort of been preoccupied by the big questions. That was my starting point. I usually thought the universe in ubiquitous is so polarized and I longed for to inspect (that) polarization on a unequivocally human level."
That the couple, played by Patrick Breen and Patrick Heusinger, is additionally happy adds an additional covering to the play"s complexity.
"I am a happy man myself so I lend towards in my essay to come from that perspective, nonetheless I think that my scrutiny (here) goes over that," Nauffts explained. "I think "Next Fall" is a unequivocally human story and I think you can surrogate any kind of attribute ... and the fool around would still resonate."
Sheryl Kaller, the director, agrees.
"The range of the story is so vast, and Geoffrey poses all these questions nonetheless doesn"t pass comments on them," she said. "He doesn"t have judgments on these people that he writes about but lets an assembly come to the own answers.
"So the people that he writes about in the play, the family relations that he writes about ... and the actuality that he doesn"t give us answers are a director"s dream."
Nauffts began essay plays some-more than a decade ago. The Ohio-born actress graduated from New York University and worked in New York theater, majority particularly on Broadway in Aaron Sorkin"s "A Few Good Men" in 1989 and after off-Broadway in a reconstruction of the George S. Kaufman-Ring Lardner humerous entertainment "June Moon," and "Snakebit" by David Marshall Grant.
But it was at Naked Angels, afterwards run by Jenny Gersten, where he proposed to widen his beautiful horizons, not usually by acting, but by directing and essay as well. "That"s the beauty of belonging to a drama company," he said. "I had a protected breakwater where I could create."
The birthing of "Next Fall," that Nauffts described as a three-year process, began underneath Gersten"s reign at Naked Angels.
"We did a integrate of opposite workshops," the playwright recalled. "I was means to listen to it out shrill in front of an assembly multiform opposite times. And each time I put it out there, I would regularly go back, redo it and rewrite it."
Naked Angels presented "Next Fall" last summer at the small drama in the Playwright Horizons construction on West 42nd Street. Reviews and assembly greeting were so certain that the show kept removing lengthened — again and again.
That stirred speak of a transfer, according to Barbara Manocherian, a longtime Naked Angels believer who helped move the show to Broadway"s Helen Hayes Theatre. "There was this feeling that we had a story that people indispensable to hear," she said.
A march of producers came together, together with Richard Willis, who is compared with the Helen Hayes.
"I wouldn"t contend it was easy (bringing the fool around to Broadway)," Willis explained. "No fool around is easy, generally but stars. But if you see at the register of producers we have, there are a little immature producers and there are a little genuine veterans who have in in between 7 and fifteen Tonys to their names. So there are a lot of opposite people who hold in this square and hold in Geoffrey"s bent and wish Broadway to see and listen to this piece."
The thought of recasting the fool around with stars after the off-Broadway run was discussed but discarded, according to Nauffts.
"We were such a family at that point and ... to disaster with that usually became so dicey," the playwright said. "I think the producers unequivocally bravely and courageously said, `Hey, we wish to keep everybody together. This is what was the sorcery before.""
Whatever happens to "Next Fall," Nauffts already has an additional job. He"s branched out in to essay for television, too. He"s right away on the essay staff of ABC"s "Brothers & Sisters," a array combined by Jon Robin Baitz, who happens to be a Naked Angels association member.
"It"s unequivocally discerning — insane. It"s usually insane," he pronounced with a laugh. "I"ve been an actress in front of the camera but to be on the alternative side now, it"s been fascinating. I think the main disproportion with TV essay is that it"s unequivocally collaborative, definition you are but one voice in a room of many. ...
"To have a fool around go on where the playwright is the usually bard (and) balancing this alternative universe where we"re all in a room and everyone"s contributing has been really, unequivocally great."
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On the Net:
http://www.nextfallbroadway.com/new/
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